急求梵高 星月夜 英文赏析要英文不要中文简单点的就行了
虽然楼主要的是英文的，但我还是想多给你一些原创的东西。这个是我朋友对星月夜的理解。没分没关系。
《星月夜》这幅作品是凡高于1889年5月所作。他是凭着记忆和想像，用意象艺术所表达。该画现存于美国纽约现代艺术馆。
在这幅画中，凡高用短线笔触组成激荡旋转的宇宙，十一颗大小不等的星辰聚集在月亮周围旋转着、翻滚着。近处的柏树象撕裂燃烧的一座哥特式教堂，远处的星辰和月亮暗示着耶稣和使徒的关系。所有的恒星和行星在宇宙中旋转着、爆发着。凡高运用火焰般的笔触把它传达出来，这是常人所很难理解和表现的。他所看到的夜空，就是一个奇特的月亮、星星和幻想的彗星景象。他所给人的感觉，就是陷入一片黄色和蓝色相互旋转的天空，仿佛瞬间变成一束扩散、游荡的光线。使得面对自然奥秘的人们，顿时生起一股绝望的恐怖。
在这幅画中，呈现了两种线条风格：一是弯曲的长线，一是破碎的短线。两者交互运用，使画面呈现出眩目的奇幻景象。在构图上，利用骚动的天空与平静的小镇形成对比，松树与横向的山脉、天空达到视觉上的平衡。全画的色调呈紫绿色，画家用充满运动感的、连续不断的、波浪流动般的笔触表现星云和树木，星云和树木象似一团正在炽热燃烧的火球，正在奋发向上，具有滚瞎极强的表现力，给人留下深刻的印象。
这幅画，展现了一个高度夸张变形与充满激袜局情的星空景象，那巨大的、卷曲旋转的星云，那一团团夸大了的星光以及那一轮难以置信的橙黄色的明月，大约是画家在幻觉和眩晕中所见，暗示着某种神性。让人联想到凡高乐于提起的一句雨果的话：“上帝是月蚀中的灯塔”。而那巨大的，形容火焰的柏树，以及那夜空中像巨龙飞过一样的星云，也许象征着人类的挣扎与奋斗大好空的精神。
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The painting »Vase with Fifteen Sunflowers«was version nr. 4 of the Arles Sunflower ser来自ies by Vincent van Gogh, also executed duri百放把最率持被为察志ng August 1888. Th360问答e backgrou决杂那银眼映纸nd has turned to yellow,
the Sunflowers, four岁料达th version: yellow background dimensions are 92.1 cm× 73 cm and the oil on canvas painting is now to be see联研北吸其则土效n in the
National Gallery, London, England.
Sunflowers (官右回介original title, in French: Tou黑法班rnesols) are the subject of two series of 失整较查曾乡染世still life paintings by the Dutch painter Vincent van GoghThe ear白延lier series executed in Paris in 1887 gives the flowers lying onthe ground, while the second set executed a year later in Arles showsbouquets of sunflowers 握玉黑主扩万承司西规in a vase. In the 以商国象掉战artist's mind both sets werelinked by the name of his friend 王蛋的巴蒸造情罪感吗愿Paul Gauguin, who acquired two of the Paris v乎矿其什ersions. A孔府己作弱减第兰bout eight months later Van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted décoration he prepared f史步or the guestroom of his Yellow 坏胡难Housewhere Gauguin wa球命置元确观增迅吸愿s supposed to sta伯落出y in Arles. After Gau烧抗校按间怕好guin's departure,Van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his exhibit at Les XX in Bruxelles
There are pieces of artwork drifting through galleries around the world thathave become nearly synonymous with the artists name and techniques. The various
paintings of Sunflowers and Vincent van Gogh are a perfect example of this. Not
only can one make a mental connection between the artists name and painting but
also between the artist and their influence on the development of art through
these paintings. Vincent van Gogh's Sunflower paintings have been duplicated
many times by various artists (although never reaching the vivacity and
intensity of Van Gogh's) and displayed everywhere; from households to art expos.
Upon looking at these paintings one begins to notice aspects that seem to flow
from one piece to another. The colors are vibrant and express emotions typically
associated with the life of sunflowers: bright yellows of the full bloom to arid
browns of wilting and death; all of the stages woven through these polar
opposites are presented. Perhaps this very technique is what draws one into the
painting; the fulfillment of seeing all angles of the spectrum of life and in
turn reaching a deeper understanding of how all living things are tied together.
There are many pieces within this series of paintings (each is clearly
identifiable as a Van Gogh work) in which there are only minor differences that
separate them. The overall layout of the painting along with positioning of the
actual sunflowers usually remains the same in the similar paintings. Below youcan see highlighted areas of difference between two similar sunflower paintings.
