请问谁有梵高的《
The painting »Vase with Fifteen Sunflowers«was version nr. 4 of the Arles Sunflower serie祖简明销道余延s by Vincent van Gogh, also executed 来自during August 1888. The background 医包圆需首机北却快甚has turned to yellow,
the Sunflowers, fourth version: 八教yellow background dimensions are 92.1 cm× 360问答73 cm and the oil on canvas painting is now to be seen in the
Nation强素似代针创体层燃al Gallery, London, England.
Sunflowers (original title, in French: Tournesols) are the subject of two series of still life paintings by the Dutch painter Vincent van GoghThe earlier series executed in Paris in 1887 gives th础神标守加父帮决工振季e flowers ly互克组刚便民ing onthe ground, while the second set executed a 陈往有察发措味year later in Arles showsbouquets of sunflowers in a vase. In the artist's mind both sets werelinked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later Van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted décoration he prepared for the guestroom of his Yellow Housewhere Gauguin was su步烧月势拉断动称越pposed to stay in 振周势低因准保末次Arles. After Gauguin's departure,Van Gogh imagined the two major ver流息深序事怀甲板富sions as wings of the Berceuse Triptych, and finally he included them in his exhibit at Les XX in B规职充觉红要误夫另命ruxelles
There are pieces of artwor吧k drifting through galleries around 目轮象推行族历支进穿the world thathave become nearly synonymous with the artists name and techniques. 便妈垂道高婷圆去夜兰培The various
汉望硫宽华paintings of Sunflowers and Vincent van Gogh ar况子火孙经边绝级例资e a perfect example of this. Not
only can one make a mental connection between the artists name and painting but
also between 养县充照判the artist and their influence on the development of art through
these paintings. Vincent van Gogh's Sunflower paintings have been duplicated
many times by various artists (although never reaching the vivacity and
intensity of Van Gogh's) and displayed everywhere; from households to art expos.
Upon looking at these paintings one begins to notice aspects that seem to flow
from one piece to another. The colors are vibrant and express emotions typically
associated with the life of sunflowers: bright yellows of the full bloom to arid
browns of wilting and death; all of the stages woven through these polar
opposites are presented. Perhaps this very technique is what draws one into the
painting; the fulfillment of seeing all angles of the spectrum of life and in
turn reaching a deeper understanding of how all living things are tied together.
There are many pieces within this series of paintings (each is clearly
identifiable as a Van Gogh work) in which there are only minor differences that
separate them. The overall layout of the painting along with positioning of the
actual sunflowers usually remains the same in the similar paintings. Below youcan see highlighted areas of difference between two similar sunflower paintings.
梵高的作品分析
《星夜》：这是梵高很有名的作品之一，很多人看到这幅画第一感觉是又安静又热闹。
炫动的笔触给人流水般的动感，而这些笔触有规桐薯高律的排布又让画布显出几分静谧。
而在色调上梵高也是用大面积的蓝紫等偏冷偏沉的颜色来营造出一个安静的夜晚，但他又在安静中来了一些活泼，这些橙黄色如精灵般跳动在沉寂的夜空中给人兴奋快乐的元素。
《向日葵》：这是梵高最富盛名的一副画，曾几何时这是梵高的象征，让大家一看手迹到这张画就想到梵高，这幅画把后印象主义的特征表现到了极致。
强烈的色彩对比和不拘一格的构图以及渴望将自己内心所有实感表现到油布上的冲动。
《收获》：这是一幅梵高绘制收获时的风景图，这张作品与梵高大多数的作品有些不同，笔触较为柔和，局尺颜色上没有强烈的对比，构图也较为平和。
这幅作品是梵高在阿尔勒写生时创作的十幅作品之一，画面中梵高以精准的用色以及几何图的构图手法来表现丰收时机具纵深感的景象，给观看者以高视点远眺的印象。
《鸢尾花》：这幅画画面中大面积的描绘了鸢尾花，只有小面积棕色土地，和别的画作的不同之处在于这幅画画面的焦点并非鸢尾花的花头，而是它的叶子。
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叶子的颜色在阳光下显得有些苍白，似乎在传达着作者艺术之路的艰辛，所以“它们”的身体也开始扭曲变形，但任然不失一股傲气。
