埃德加德加英文介绍
Hilaire Germain Edgar Degas was a French painter and sculptor whose innovative composition, skillful drawing, and perceptive analysis of movement made him one of the masters of modern art in the late 19th century.
De朝gas is usuall朝点弱钢段资满y classed with the impressionists, and he exhibited with them in seven of the eight impressionist exhibitions. However, his tr本末府助各夜aining in classical drafting and his dislike of painting directly from nature produced a style that represented a related alternative to impressionism.
Degas was born into a well-to-do 来自banking fa病mily on July 19, 1834, in Paris. He studied at the École des Beaux-Arts under a disciple of the famous French classicis360问答t J. A. D. Ingres, where Degas develo假王回花径传ped the gre印at drawin喜振友父绿身气套间g ability that was to be a sa城lient characteristic 犯自木攻阶简of his art. After 1865, under the influence o斯f the budding impressionist movement, he gav名坚图间别律e up academic subjects to turn to contemporary themes. But, unlike the impression波总粒轮务ists, he preferred to work in the studio and was uninterested in the study of natural light that fascinated them. He was 族物皮剂素叶明名值attracted by theatrical subj守ects, and most of his works depict racecourses, theaters, cafés, music halls, or boudoirs. Degas wa选s a keen observer 变烈of humanity—particularly of women, with whom his work is preoccupied—and in his portraits as well as in his studies of dancers, milliners, and laundresses, he cultivated a complete objectivity硫随末, attempting to catch his subjects in poses as natural and spontaneous as those recorded in action photographs.
His study of Japanese prints led him to experiment with unusual visual angles and asymmetrical compositions. His subjects often appear cropped at the edges, as in Ballet Rehearsal (1876, Glasgow Art Galleries and Museum). In Woman with Chrysanthemums (1865, Metropolitan Museum of Art, New York City), the female subject of the picture is pushed into a corner of the canvas by the large central bouquet of flowers.
In the 1880s, when his eyesight began to fail, Degas began increasingly to work in two new media that did not require intense visual acuity: sculpture and pastel. In his sculpture, as in his paintings, he attempted to catch the action of the moment, and his ballet dancers and female nudes are depicted in poses that make no attempt to conceal their subjects' physical exertions. His pastels are usually simple compositions containing only a few figures. He was obliged to depend on vibrant colors and meaningful gestures rather than on precise lines and careful detailing, but, in spite of such limitations, these works are eloquent and expressive and have a simple grandeur unsurpassed by any of his other works.
Degas was not well known to the public, and his true artistic stature did not become evident until after his death. He died in Paris on September 27, 1917.
一个在锁孔里观察人生的画家是谁
被形容是“一个在锁孔里边观察人生的”画家是“德加”
埃德加·德加(Edgar Degas，1834-1917)印象派重搜碰毕要画家。他出身于金融资本家的家庭，他的祖父是个画家，因此他从小就生长吵清在一个非世芹常关心艺术的家庭中。
