埃德加德加英文介绍
Hilaire Germain Edgar Degas was a French painter and sculptor whose innovative composition, skil来自lful drawing, and perceptive analysis of movement made him one of the masters of modern art in the late 19th century.
Degas is usually classed with the impression进士亲粮进视为烧调众ists, and he exhibited with them in sev360问答en of the eight i假仍见肉呀mpressionist exhibitions. How江送春ever, his traini品问银好著派械先态紧站ng in classical 半们drafting and h息京杀善盾操抓跟攻直is dislike of painting directly from nature produced a style that represen光坐陈溶阶花举特弦ted a related alternative 学车团岁to impressionism.
Degas was born into a wel属五处第经该参混雷l-to-do banking family on July 19, 1834, in Paris. He s经似tudied at th亚布础怎流e École des Beaux-Arts under a disciple of t皇铁答者货外福场验层he famous French classicist J. A. D. Ingres, where Degas developed the grea望车t drawing ability that wa帝星叫工标上普留映s to be a salient characteristic of his art. After 1865, under the influe革飞离率立汽照用既延nce of the budding impressionist movement, he gave 既敌染输up academic subjects to turn to contemporary themes. But, unlike the impressionists, he 植preferred to work in the studio and was uninterested in the study of natural light that fascinated them. He was attracted by theatrical subjects, and most of his works depict racecourses, theaters, cafés, music halls, or boudoirs. Degas was a keen observer of humanity—particularly of women, with whom his work is preoccupied—and in his portraits as well as in his studies of dancers, milliners, and laundresses, he cultivated a complete objectivity, attempting to catch his subjects in poses as natural and spontaneous as those recorded in action photographs.
His study of Japanese prints led him to experiment with unusual visual angles and asymmetrical compositions. His subjects often appear cropped at the edges, as in Ballet Rehearsal (1876, Glasgow Art Galleries and Museum). In Woman with Chrysanthemums (1865, Metropolitan Museum of Art, New York City), the female subject of the picture is pushed into a corner of the canvas by the large central bouquet of flowers.
In the 1880s, when his eyesight began to fail, Degas began increasingly to work in two new media that did not require intense visual acuity: sculpture and pastel. In his sculpture, as in his paintings, he attempted to catch the action of the moment, and his ballet dancers and female nudes are depicted in poses that make no attempt to conceal their subjects' physical exertions. His pastels are usually simple compositions containing only a few figures. He was obliged to depend on vibrant colors and meaningful gestures rather than on precise lines and careful detailing, but, in spite of such limitations, these works are eloquent and expressive and have a simple grandeur unsurpassed by any of his other works.
Degas was not well known to the public, and his true artistic stature did not become evident until after his death. He died in Paris on September 27, 1917.
印象派画家代表人物
印象派是19世纪后半期诞生于法国的绘画流派,其代表人物有莫奈、马奈配碰、毕沙罗、雷诺阿、 西斯莱、德加、科罗、莫里索、巴齐约以及保罗·塞尚等。
1、马奈
马奈（1832～1883），是19世纪下半叶对绘画领域的革命起重要作用的绘画大师，他虽与印象派画家们有密切的联系，但并蠢洞未参加印象主义画展，可是印象派的画家们始终是以马奈为中心，创造新的绘画理论和作品。
2、莫奈
莫奈（1840～1926），是印象派的领袖人物。1874年由他发起组织了首届印象派画展，他的油画《印象·日出》一画在展览中引起反响，从而使“印象派”这一名称正式出现。
3、德加
埃德加·德加(E.Degas 1834-1917)，埃德加·德加是印象派中以传统精确素描与印象派色彩风格绝妙结合的画家，被称为“古典的印象主义”。德加自己说他是“运用线条的色彩画家”。
4、雷诺阿
雷诺阿(1841～1919)是印象派的重要画家。他天性乐观、纯朴，热爱生活，热爱大自然，对人和大自然的美，有着极其敏锐的艺术感受力。
5、毕沙罗
在印象派诸位大师中，莫奈是发起者，并且以自己的作品给这个画派命了名。但是，要说这个画派的真正中流砥柱，那么，非毕沙罗莫属。他是惟一一个参加了印象派所有8次展览的画家，可谓最坚定的印培档谈象派艺术大师。
