埃德加德加英文介绍
Hilaire Germain Edgar 呼的你跳Degas was a French painter and sculptor whose innovative composition, 继倍skillful drawing, and perceptive analysis of movement made him one of the masters of modern art in the la士声怀线过呀足te 19th century.
Degas is usually classed with the impre式看听望岁孙脱犯ssionists, and he exh于ibited with them in seven of the eig杂度血二省ht impressionist exhibitions. However, his training in classical drafting and his dislike of painting directly f右这rom nature produced a style that represented a related alte谓剂宽渐位胡安财rnative to imp袁影底杀方征官ressionism.
Degas was born in见吧菜好政一更企to a well-to-do banking family on July 19, 1834, in 先氧范无今告日云训Paris. He studied at the École des Beaux-Arts under a disciple of the famous Fren米千敌抓七角思婷煤月处ch classicist J. A. D. Ingres, where Degas developed the great draw粒资规纸架实处混ing abilit五皇屋尔可站源y that was to be a salient characteristic of his art. After 1865, under the influence of the budding impressionist movement, he gave up academic subjects to turn to cont种抓历夫打坐伤呢态根右emporary th机向物洋粒术emes. But, unlike the impressionists, he preferred to work in the studio and was uninterested in the study of natural light that fascinated them. He was attracted by theatrical subjects, and most of hi探卫微选s works depict racecourses, theaters, cafés, music halls, or boudoirs. Degas was a keen observer of humanity—particularly of women, with whom his work is preoccupied—and in his portraits as well as in his studies of dancers, milliners, and laundresses, he cultivated a complete objectivity, attempting to catch his subjects in poses as natural and spontaneous as those recorded in action photographs.
His study of Japanese prints led him to experiment with unusual visual angles and asymmetrical compositions. His subjects often appear cropped at the edges, as in Ballet Rehearsal (1876, Glasgow Art Galleries and Museum). In Woman with Chrysanthemums (1865, Metropolitan Museum of Art, New York City), the female subject of the picture is pushed into a corner of the canvas by the large central bouquet of flowers.
In the 1880s, when his eyesight began to fail, Degas began increasingly to work in two new media that did not require intense visual acuity: sculpture and pastel. In his sculpture, as in his paintings, he attempted to catch the action of the moment, and his ballet dancers and female nudes are depicted in poses that make no attempt to conceal their subjects' physical exertions. His pastels are usually simple compositions containing only a few figures. He was obliged to depend on vibrant colors and meaningful gestures rather than on precise lines and careful detailing, but, in spite of such limitations, these works are eloquent and expressive and have a simple grandeur unsurpassed by any of his other works.
Degas was not well known to the public, and his true artistic stature did not become evident until after his death. He died in Paris on September 27, 1917.
埃德加·德加的代表作品
* 《会计师和女儿们》（Count Lepic and His Daughters）
* 《舞蹈课》
* 《费正饥尔南德马戏团举扒返的拉拉小姐》
* 《调此没整舞鞋的舞者》
*《新奥尔良棉花办公室》
*《贝利尼一家》
