洛可可的艺术
图片参考：/~/rococo_costume_s 在巴洛克乐期后，约在1720-1775年，曾经出现了十分特别而短暂的「洛可可」(Rococo) 风格，与其他的音乐风格同时流行。「洛可可」这个字出自法文的 "Rocaille"（雕石），指雕纹的石刻艺术品，但亦应用于音乐上。它发展于十八世纪前半期的法国，音乐特色是轻丛肆指快、刻意、装饰华丽 － 与巴洛克时期那夸张和庞大的性质成对比。这种风格先出现在法国的键盘音乐中，巴洛克晚期的作曲家如库普兰 (Couperin)、拉摩(Rameau)、泰里曼(Telemann)、多曼尼高．史卡拉第(Domenico Scarlatti) 都运用了这种手法。后来，这种风格传到德国，并形成了另一种新风格雹贺。 其实，由巴洛克晚期至古典乐期，音乐经历了不少的改变：以往旧有的曲式渐渐地被新渗配的段落式结构所取代；巴洛克时期最常用的对位法慢慢地被放弃；管弦乐团的乐器、编制、表达技巧、曲目等均有很大的发展。 图片参考：/~/piano_e 想知道多些有关洛可可风格，甚或由文艺复兴至十九世纪的的绘画、服饰等，可浏览以下网址： La Conturiere Parisreinne 图片参考：/~/coco..2 图片参考：/~/coco1 2006-10-30 13:54:20 补充： 下面那位，人家是要画，不是要文字！
The Rococo style of art emerged in France in the early 18th century as a continuation of the Baroque style. In contrast to the heavier themes and darker colors of the Baroque
the Rococo style was characterized by an opulence
grace
playfulness
and lightness. Rococo motifs focused on the carefree aristocratic life and on lighthearted romance rather than heroic battles or religious figures; they also revolve heavily around nature and exterior settings. In the mid-late 18th century
rococo was largely supplanted by the Neoclassic style. The word Rococo is apparently a bination of the French rocaille
or shell
and the Italian barocco
or Baroque style. Due to Rococo love of shell-like curves and focus on decorative arts
some critics used the term to derogatively imply that the style was frivolous or merely fashion; interestingly
when the term was first used in English in about 1836
it was a colloquiali *** meaning "old-fashioned". However
since the mid 19th century
the term has been accepted by art histori. While there is still some debate about the historical significance of the style to art in general
Rococo is now widely recognized as a major period in the development of European art. Rococo developed first in the decorative arts and interior design. Louis XV's succession brought a change in the court artists and general artistic fashion. By the end of the old king's reign
rich Baroque designs were giving way to lighter elements with more curves and natural patterns. These elements are evident in the architectural designs of Nicolas Pineau. During the Régence
court life moved away from Versailles and this artistic change became well established
first in the royal palace and then throughout French high society. The 1730s represented the height of Rococo development in France. The style had spread beyond architecture and furniture to painting and sculpture
exemplified by the works of Antoine Watteau and François Boucher. Rococo still maintained the Baroque taste for plex forms and intricate patterns. By this point
it had begun to integrate a variety of diverse characteristics
including a taste for Oriental designs and asymmetric positions. The Rococo style spread with French artists and engraved publications. It was readily received in the Catholic parts of Germany
Bohemia
and Austria
where it was merged with the lively German Baroque traditions. Particularly in the south
German Rococo was applied with enthusia *** to churches and palaces. Architects often draped their interiors in clouds of fluffy white stucco. In Italy
the late Baroque styles of Borromini and Guarini set the tone for Rococo in Turin
Venice
Naples and Sicily
while the arts in Tuscany and Rome remained more wedded to Baroque. The beginning of the end for Rococo came in the early 1760s as figures like Voltaire and Jacques-François Blondel began to voice their critici *** of the superficiality and degeneracy of the art. Blondel decried the "ridiculous jumble of shells
dragons
reeds
palm-trees and plants" in contemporary interiors[1]. By 1780
Rococo had passed out of fashion in France
replaced by the order and seriousness of Neoclassical artists like Jacques Louis David. It remained popular in the provinces and in Italy
until the second phase of neoclassici ***
"Empire style
" arrived with Napoleonic ernments and swept Rococo away. Though Rococo originated in the purely decorative arts
the style showed clearly in painting. These painters used delicate colors and curving forms
decorating their canvases with cherubs and myths of love. Portraiture was also popular among Rococo painters. en. *** /Rococo
请分别说明巴洛克美术和洛可可美术的艺术特点,并列出他们在建筑和绘画方面的代表艺术家及其主要的代
嘿嘿，我把刘萍老师上课讲的代表艺术家及其主要的代表作品给你~~!
巴洛克:
鲁本斯——《下十字架》《劫夺吕西普斯的女儿》《玛丽.美第奇的生涯》
委拉斯凯兹——《教皇英诺森十世像》《宫女》
伦勃朗——《夜巡》、《杜普教授的解剖课》、《戴金盔的男子》
雕塑家、建筑家贝尼尼—械原棉标—《圣女德列萨》
罗可可美术:
华多——《热尔桑画店招牌》《发舟西苔岛》
布歇——《浴后的吃绿军掉飞请让叶志着狄安娜》《蓬巴杜夫人》
弗拉戈纳尔——《秋千》
巴洛克美术特点
巴洛克（Baroq360问答ue）这个词语的意大利语续话五通地怎械征散送好义为奇形怪状、矫揉造作；葡萄牙语义是很大而形状不匀称的蚌珠。人们借用巴洛克这个词来嘲弄具有这种风格的艺术。在当时具有贬义，当时人们认为它的华丽、炫耀的风格是田家前呼策对文艺复兴风格的贬低，但现在，人们已经公认，巴洛克是欧洲伟大不声你厂早温基苦艺术风格之一。
巴洛克艺术无论是建筑、雕刻、绘画都强调运动感、空间感正父仅、豪华感，有时还带有宗教的热情和神秘。
巴洛克艺术的重要特点：
1、有豪华的特色，既有宗教的特色，又有享乐主义的色彩。
2、是一种激情的艺术，打破了理性的宁静和谐，具有浓郁的浪漫主义色彩，非常强调艺术家的丰富想象力。
3、它极力强调运动，运动与变化可以说是巴洛克艺术的灵魂。
4、它很关注作品的空间感和立体感。
5、它具有综合性，强调艺术形成的综合手段。
6、它有着浓厚的宗教色彩，宗教题材在巴洛克艺术中占有主导地位。
7、大多数巴洛克艺术家有远离生活和时代的倾向。
17世纪巴洛克艺术在建筑方面最有代表性的两个人物是：弗•波罗米尼和乔凡尼•洛伦茨•贝尼尼。贝尼尼的重要雕刻代表作有：《阿波罗与达芙妮》、《圣女德列萨》等。
罗可会善得景宪理可艺术风格的特点
洛可可(Rococo)艺术风格产生于法国18世纪。“洛可可”是法文“岩石”的复合词，工卫林案支树液道伟意思是此风格以岩石和蚌壳装饰为其特色。是巴洛克风格与中国装饰趣味结合起来的、运用多个S线组合的一种华丽雕琢、纤巧繁琐的艺术样式。
洛可可风格是宫廷艺术，这种风格是由于当时一些不严格遵循法国古典主义法则的因素而产生的，它并不是意大利巴洛克风格的必然后果。
罗可可，是贝壳工艺的同义语，由此引申一种纤巧、华美、富丽的艺术风格或正怎阳室民样式。它反映出上流贵族的审美理想和趣味，18世纪欧洲流行的主流艺术日样式.路易十四时周代的官方古典主义以庄叫实销日表言鸡附占减律严、华丽、沉重的外貌、深刻的思想为其特征；而罗可可及其传统以艳丽、轻盈、精致、细腻和表面上的感官刺激为追求。表现在建筑艺术上是造型的比例关系偏重于高耸和纤细，以不对称代替对称，频繁地使用形态与方向多许军即且杆消军局变的曲线和弧线，排斥了以往那种端庄和严肃的表现手法。在室内常用大镜子作装饰。在装饰纹样中，大量运用花环和花束、弓箭和箭壶以及各种贝壳图案。色彩明快，爱用白色和金色组合色调。在室内装饰和家具配置上，造型的结构线条具有婉转、柔和、造型优雅和安逸等特点。
