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Hawthorne Writing Style
Nathaniel Hawthorne was a prominent early Amer误英集混之目女倒行头死ican Author who contributed greatly to the evolution of m错威直odern American li区记派但行积守定另攻排terature. A Ne资医使w England native, Hawthorne was b食滑重他井耐米温步orn in Salem, Massachusetts on July 4, 1804 and died on May 19, 1864 in 七石利村看静New Hampshire. An avid seaman, Hawthorne's father died in 1808 when Natha径煤商轴蛋季房顺刚统niel Hawthorne w江古as only a young chi跟看ld. After his father's death, Hawthorne showed a keen interest in his fath赵背er's worldwide nautical adventures and often read the logbooks his father had compiled from sailing abroad. Hawthorne was a d种孙就参程缩取挥路三成escendant of a long line of New England Pur威纪itans, which sparked his interest in the Puritan way of life. Af了纪圆查呢木难青杨绝ter he gradua氧耐验参诗为官ted from Bow难阶局须形乱境巴doin College in 1825, Hawtho娘指局笑斗基晶州华做rne returned to his home in Salem were he began to write in semi-seclusion. Hawthorne published his first novel, Fanshawe in 1828. In 1839, Hawthorne was appointed weigher and gauger at the Boston Custom House. He later married Sophia Amelia Peabody in 1842. In the following years, Hawthorne wrote his more famous novels which shaped his own literary style, as well as the genres of the romance novel and short story. Eventually, Hawthorne developed a style of romance fiction representative of his own beliefs. Although Nathaniel Hawthorne's writing style was often viewed as outdated when compared to modern literature, Hawthorne conveyed modern themes of psychology and human nature through his crafty use of allegory and symbolism. To begin with, Hawthorne's style was commonplace for a writer of the nineteenth century. During the time period in which Hawthorne wrote, printing technology was not yet advanced enough to easily reproduce photographs in books. Therefore, Hawthorne frequently wrote lengthy visual descriptions since his audience had no other means to see the setting of the novel. (Magill:1 840). One example of such descriptions was in The Scarlet Letter when Hawthorne intricately describes the prison door and its surroundings. Another aspect of Hawthorne's writing which was exclusive to his time period was the use of formal dialogue which remained fairly consistent from character to character (Magill:2 140). Such overblown dialogue was evident in The Scarlet Letter when the dialogue of Pearl, a young child, exhibited no difference from the dialogue of the other characters in the novel. Hawthorne adopted the use of overly formal dialogue partly from a British writer, Sir Walter Scott, whose works were popular in the United States and Great Britain (Magill:1 841). Although Hawthorne's dialogue was overly formal, it was an accurate tool in describing human emotion (Gale). Absence of character confrontation was another component of Hawthorne's literary style. Hawthorne frequently focused more on a character's inner struggle or a central theme than on heated encounters between characters (Gale). One example of this style can be found in The Scarlet Letter since the novel was almost solely based on the commandment 'Thou shall not commit adultery' (Magill:1 846). Despite dated dialogue and dated writing style, Hawthorne implied various modern themes in his works. One of Hawthorne's recurring themes throughout his works was his own view on human nature. Hawthorne explored an interesting human psychology through his exploration of the dark side of human consciousness (Magill:1 841). In The Scarlet Letter, Hawthorne introduced 'a profound comment on the breakdown of human relationships in the society of the seventeenth century' (Harris 304). Hawthorne's theme that human nature is full of wickedness was also evident in 'Young Goodman Brown' when the title character encountered great difficulty in resisting temptation (Magill:3 1143). One outstanding aspect found in Hawthorne's writing was the concept of neutral territory. Hawthorne described this concept as 'a neutral territory, somewhere between the real world and fairy-land where the actual and imaginary may meet, and each imbue itself with the nature of the other' (Litz 145). The concept of neutral ground was most evident in the Custom House section of The Scarlet Letter and served as the area in which romance took place (Magill:1 1569). Hawthorne's modern themes were also modeled by Hawthorne's own religious beliefs. Although it was not the only reason Hawthorne wrote The Scarlet Letter, his Puritan background contributed greatly to his portrayal of a sinner in a strict Puritan community (Litz 157). Hawthorne also raised questions concerning the morality and necessity of Hester Prynne's exile in The Scarlet Letter. One reason for these inquires was Hawthorne's disbelief in heaven, hell, angels, or devils since modern science was undermining the Bible (Magill:2 847). Unlike the frankness commonly found in modern twentieth century literature, the nature of literature in the nineteenth century was more conservative. Therefore, Hawthorne implied more modern themes through the use of symbolism. One of Hawthorne's most obvious symbols in The Scarlet Letter was Pearl, the living product of the adulterous affair between Arthur Dimmesdale and Hester Prynne. Even though some of Hawthorne's symbols were fantastical, they represented an anachronistic moral standpoint of Hawthorne himself. (Gale) An example of this symbolism was Hester's moral sin of adultery symbolized by an overly ornate scarlet 'A' on Hester's breast. In fact, few authors who worked outside realism have been as concerned with morals as Hawthorne was. (Magill:2 1572). Hawthorne also employed allegory as a way of presenting themes. Hawthorne often achieved allegory by placing characters in a situation outside of the ordinary (Magill:2 1572). In The Scarlet Letter Hawthorne presented a highly complex variation on his usual theme of human isolation and the human community (Harris 304). Hester Prynne was a superb example of both these themes since she was isolated from a strict Puritan community. Possibly, Hawthorne's recurring theme of isolation stemmed from his own experience of seclusion (Gale). Hawthorne explored the themes of penance for sins and cowardliness when Arthur Dimmesdale struggled with himself to make his sin public. In conclusion, Hawthorne's literary style did indeed contain elements such as description and dialogue, which seemed out of place when compared to modern twentieth century literature. However, Hawthorne's style was typical of the literary style of the time. Nevertheless, Hawthorne addressed modern themes and expressed his own view on human nature and religion. In addition, Hawthorne's symbolism was an essential tool in addressing topics, which were too radical to be publicly addressed in the nineteenth century. Therefore, Hawthorne's symbolism an astute way to express his own beliefs. Hawthorne also achieved a unique form of allegory by placing characters in unusual situations. Hawthorne used various symbols to imply themes of adultery, sins, and human morality. All in all, Hawthorne deeply examined every facet of human nature and drew conclusions from the experiences of the characters in his work. WORKS CITED Hawthorne, Nathaniel. The Scarlet Letter.
Fitzgerald, Sheila ed. Short Story Criticism. vol.4.
Detroit: Gale Research Company, 1989.
Gale ed. DISCovering Authors. Detroit: Gale Research Company , 1996.
Harris, Laurie Lanzen. Nineteenth Century Literature Criticism. vol. 54. Detroit: Gale Research Company, 1985.
Litz, Waltona ed. American Writers. New York: Charles Scriner's Sons, 1998.
论《红衣》中的象征主义
精神。
象征主手带义是一种传统的艺术形式，也是浪伏逗漫主义的主要特征。在文学中，象征主义可以指毕厅芦使用抽象概念，作为一种辅助任何文字解释的方式。
《红字》中象征手法的运用十分广泛，其作品《红字》以其象征性著称，被认为是美国文学史上第一部象征主义小说。作为《红字》独特的写作特征，作者通过运用象征手法来处理红字，为我们深入理解这部小说，尤其是他的内心世界和“霍桑的黑暗”铺平了道路。
小说中的红字”A”开始时是惩罚的象征。霍桑在1845年的美国笔记本上写道：”一个妇女的生活，按照旧殖民法律，她被判处总是穿着缝在衣服上的字母A，以表示她犯了通奸罪。
