梵高作品鉴赏
鉴赏：《星空》一一梵高作品
主题：文学作品能反映作者的内掘扮心世界，可反映作者对所处时代和当时事件的认来自识。
梵高创作这篇法画的背景是1889年5月8360问答日，梵高精神第二次崩溃之后，来到离阿尔25公里的圣雷米自愿接受精神病治疗。那时，医生允许他白天外出写生，他住院一个月后，画了这幅画，画中的村庄就是圣雷米。
梵高通过这幅画作是想传达出一种不向命运低头的精神。天空中飞卷的星云在旋早配转着，那柔韧的枝条虽然力量微薄，却义无反顾地抽向天空。传达出作者内心的苦闷和忧郁。也表现出人们的挣扎与奋斗。反应了梵高对当时社会的负面描述，写实了社会的扭曲和黑暗，当然，这个是隐藏的。正如我们所见的星夜，带这梵高自己对宇宙世界的向往，但是已处于精神崩溃的他，觉得星空不是人们看见的那么的美妙，而是极度扭曲的，正如画面的色调，暗调一样。那么这是为什么呢？因为梵高前期是被强迫去工作，他的上司又对他不好，在辞很职后，又找不到自己的信仰，加上自己后期合作失败，还有自己反重如山的压力，让自己对人生产生了悲观，最终开枪自杀，在旅馆中挣扎，痛苦了两天，安然去世。
这幅画构图非常好，正如梵·高自己曾描写的那样：“万那些柏树总是占据着我的思绪—从来没有钢存信钱防胡阶胶志人把它们画得像我看到它们的样子，这使我惊讶。柏树的线条和比例正如埃及思事进都毛望金字塔及尖碑那么美丽——在晴朗的风景中的黑色飞溅。”梵高用了前印象派的一些特点，用点来表现物体的光影，有着传统的画无法达到的效果。教堂的尖顶与地平线的对比，黑乎乎的柏增丝庆长万乙叶企须相判睁灶树的顶端恰好拦腰穿副山过旋转横飞的星云，深蓝色的基调，给人以沉重的感觉，加强了夜图季代济端普混律攻色的黑暗，柏树用了黑色，表示着黑夜的笼尔汽次玉病者面态季种罩。同时也有星星发光的乡取怀黄色，明亮的白色和黄色来画星星及周围的光晕，又给人一种温暖光明的感觉离刑。画中旋涡状的天空与平静的聚村落形成对比。整个画面着色搭配协调很好搭配了黑夜。所以这幅画十分出名。
请问谁有梵高的《向日葵》赏析英文版的哦！！ 谢谢
The painting »Vase with Fifteen Sunflowers«was version nr. 4 of the Arles Sunflower series by Vincent van Gogh, also executed during August 1888. The background has turned to yellow,
the Sunflowers, fourth version: yellow background dimensions are 92.1 cm× 73 cm and the oil on canvas painting is now to be seen in the
National Gallery, London, England.
Sunflowers (original title, in French: Tournesols) are the subject of two series of still life paintings by the Dutch painter Vincent van GoghThe earlier series executed in Paris in 1887 gives the flowers lying onthe ground, while the second set executed a year later in Arles showsbouquets of sunflowers in a vase. In the artist's mind both sets werelinked by the name of his friend Paul Gauguin, who acquired two of the Paris versions. About eight months later Van Gogh hoped to welcome and to impress Gauguin again with Sunflowers, now part of the painted décoration he prepared for the guestroom of his Yellow Housewhere Gauguin was supposed to stay in Arles. After Gauguin's departure,Van Gogh imagined the two major versions as wings of the Berceuse Triptych, and finally he included them in his exhibit at Les XX in Bruxelles
There are pieces of artwork drifting through galleries around the world thathave become nearly synonymous with the artists name and techniques. The various
paintings of Sunflowers and Vincent van Gogh are a perfect example of this. Not
only can one make a mental connection between the artists name and painting but
also between the artist and their influence on the development of art through
these paintings. Vincent van Gogh's Sunflower paintings have been duplicated
many times by various artists (although never reaching the vivacity and
intensity of Van Gogh's) and displayed everywhere; from households to art expos.
Upon looking at these paintings one begins to notice aspects that seem to flow
from one piece to another. The colors are vibrant and express emotions typically
associated with the life of sunflowers: bright yellows of the full bloom to arid
browns of wilting and death; all of the stages woven through these polar
opposites are presented. Perhaps this very technique is what draws one into the
painting; the fulfillment of seeing all angles of the spectrum of life and in
turn reaching a deeper understanding of how all living things are tied together.
There are many pieces within this series of paintings (each is clearly
identifiable as a Van Gogh work) in which there are only minor differences that
separate them. The overall layout of the painting along with positioning of the
actual sunflowers usually remains the same in the similar paintings. Below youcan see highlighted areas of difference between two similar sunflower paintings.
