德加是谁呀，他的成就是什么
埃德加·德加（EdgarDegas,1834-1917）1834年7月19日出生于巴黎。父亲是个金融资本家，祖父是个画家，从小德加便生长在一个非常关心艺术的环境里。1854年德加中学毕业。同年，德加来到了意大利，在那里的一所美术学校学习。1854-1859年德加在意大利的美术学校学习意大利的艺术，特别是文艺复兴时期的艺术。同时，他又在安格尔的一位得意门生路易·拉莫清察特（LouisLamott）的画室里缺正隐学画。1859年德加回到了巴黎，那时的德加已经是一个学到一手让-奥古斯特·多米尼克·安格尔（Jean-SugusteDominiqueIngres,1780-1867）画派好手法的、功夫很深的素描行家了。这种素描是一种古典主义的素描。1859年前德加经常画一些人物肖像，如：他的家人、他的朋友以及一些历史主题的人物。1860年代德加结识了爱德伏厅华·马奈（EdouardManet,1832-1883），并成为盖尔布来咖啡馆的常客。1862年德加开始对赛马产生了兴趣。1869年德加画了大量色粉习作，主要画的是海滨浴场。1870年代初期芭蕾舞女是德加非常喜欢的主题。1870年之后德加创作风格开始转向了现实主义。这种理论主张放弃古代希腊的美的理想，而代之以朴实、真挚地表现所见的事物。1872年末德加为了寻找开心，到了美国的新奥尔良。1874-1886年德加虽然反对印象主义，但是他还是积极参加了历届印象派画展，除了1882年的那一届。与此同时，德加的作品也被官方沙龙所采纳，并且作品可以悬挂在相当显目的地主，但他却脱离了官方沙龙。1893年德加感到他有失明的危险，因此他急不可待、狂热的画起画来，这时的德加对人对已都很严厉、苛刻，性情变得十分古怪。1886-1917年德加的作品已经不再展出。1917年9月27日德加逝世于巴黎，享年83岁。
德加富于创新的构图、细致的描绘和对动作的透彻表达使他成为19世纪晚期现代艺术的大师 之一。他最著名的绘画题材包括芭蕾舞演员和其他女性、以及赛马。他通常被认为是属于 印象派，但他的有些作品更具古典、现实主义或者浪漫主义画派风格。
埃德加德加英文介绍
Hilaire Germain Edgar Deg钱部块甲企志秋as was a Frenc看危热府烧破句磁青花h painter 高垂乙送神沉车括假思and sculpt飞看否款她训气里校赵or whose innovative compositi八九建艺由第程责on, skillfu计组胜再和请较正l drawing, and perceptive analy绝黑刚伯雷将攻念含sis of movement made him one of the masters of modern art in the late 19th century.
Degas is usually classed with the impressionists织状卷处就委呀至际具此, and he exhibited with them in seven of the eight impressionist exhibitio停律应ns. However, his training in classical drafting and his dislike of p音矿ainting direc示城最tly from nature produced a styl还渐挥什送坐低愿色e that represented a related alternative to impressionism.
Degas was born into a well-to-do banking family on July 19, 1834, in Par延抓着线举介请育创括实is. He studied at the École des Beaux-Arts under a disciple of the famous 艺丝生规东旧French classicist J. A. D. Ingres, where Degas developed the great drawing abi印用较依lity that was to be a sal木村思测ient characteristic of his art. After 1865, under the influence of the budding impressionist movement, he gave u汉践p academic subjects to turn to contemporary themes. But, unlike the impressionists, he preferred to work in the studio and was uninterested in the study o表它首学些团虽延纸f natural light that fascinated them. He was attracted by theatrical subjects, and most of his works depict racecourses, theaters, cafés, music halls, or boudoirs. Degas was a keen observer of humanity—particularly of women, with whom his work is preoccupied—and in his portraits as well as in his studies of dancers, milliners, and laundresses, he cultivated a complete objectivity, attempting to catch his subjects in poses as natural and spontaneous as those recorded in action photographs.
His study of Japanese prints led him to experiment with unusual visual angles and asymmetrical compositions. His subjects often appear cropped at the edges, as in Ballet Rehearsal (1876, Glasgow Art Galleries and Museum). In Woman with Chrysanthemums (1865, Metropolitan Museum of Art, New York City), the female subject of the picture is pushed into a corner of the canvas by the large central bouquet of flowers.
In the 1880s, when his eyesight began to fail, Degas began increasingly to work in two new media that did not require intense visual acuity: sculpture and pastel. In his sculpture, as in his paintings, he attempted to catch the action of the moment, and his ballet dancers and female nudes are depicted in poses that make no attempt to conceal their subjects' physical exertions. His pastels are usually simple compositions containing only a few figures. He was obliged to depend on vibrant colors and meaningful gestures rather than on precise lines and careful detailing, but, in spite of such limitations, these works are eloquent and expressive and have a simple grandeur unsurpassed by any of his other works.
Degas was not well known to the public, and his true artistic stature did not become evident until after his death. He died in Paris on September 27, 1917.
