19世纪美国浪漫主义文学的特征用英语描述？
来自(1)American rom且任还月电继息形留格这anticism was in essence the expression of “a real new experience and contained “an alien quality” for the simple reason that “the spirit of the place” was radically new and alien.
(2)There is American Puritan360问答ism as a cultu决预验口群计质打厚电左ral heritage to consider.American romantic authors t属剂原学护停劳导危ended more to moralize.Many American romantic writings intended to edify more than they entertained.
(3)The “new化ness” of America打武原间烧不社定阳ns as a nation is in connection wi留冲凯th America它停衡掌毛广刑手报n Romanticism.
(4)As a logical result of the foreign and nat责源部庆ive factors at work,American romant始水药管美车英走超落icism was both imitative and independent.
(5)Romanticism frequently shared certain general characteristics,moral enthusiasm,faith in the value of individualism and intuitive perception,and a p袁曲新延组浓同明配除resumption that he natural world was a source of corruption.
浪漫主义文学的特点。英文版
Romanticism, attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century. Romanticism can be seen as a rejection of the precepts of order, calm, harmony, balance, idealization, and rationality that typified Classicism in general and late 18th-century Neoclassicism in particular. It was also to some extent a reaction against the Enlightenment and against 18th-century rationalism and physical materialism in general. Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, and the transcendental.
Among the characteristic attitudes of Romanticism were the following: a deepened appreciation of the beauties of nature; a general exaltation of emotion over reason and of the senses over intellect; a turning in upon the self and a heightened examination of human personality and its moods and mental potentialities; a preoccupation with the genius, the hero, and the exceptional figure in general, and a focus on his passions and inner struggles; a new view of the artist as a supremely individual creator, whose creative spirit is more important than strict adherence to formal rules and traditional procedures; an emphasis upon imagination as a gateway to transcendent experience and spiritual truth; an obsessive interest in folk culture, national and ethnic cultural origins, and the medieval era; and a predilection for the exotic, the remote, the mysterious, the weird, the occult, the monstrous, the diseased, and even the satanic.
